Review: 10 platforms for online submissions
Online platforms help filmmakers save time when submitting a film to any festival that are presented in catalogues.
Canada
Festivals in data base: ~ 4800
Young Canadian company was founded in 2014. Its’ creators have taken into account all the critical reviews from filmmakers (especially going for Withoutabox) and made a remarkable alternative — free, easy to use and convenient service. In three months after setting up more than 600 festivals registered in the base, more than 5000 applications were sent. Now it is the fastest growing service for online submissions films to the festivals. This platform is remarkable for variety of festivals, that accept films of any length and genre.
The main secret of its popularity is a successful business model which let festivals save money. The extra fee is collected only from the fee-paying festivals and it’s not more than 8,5% (at Withoutabox it is about 35%). From the filmmakers the service does not take any money at all. It should be noted that this type of business is good only for the American market, where practically all festivals are fee-paying. About 60% of the festivals in the database are based in USA, including 40 Academy Award accredited festivals.
Though such quick fix of the service caused one problem — there are too many day-fly festivals in the FilmFreeway database, most of them even do not have their own websites. Signing in process is easy both for the filmmakers and for the festivals. That leads to uncontrolled growing amount of the festivals that accept applications, including fee-paying ones. Such variety of the festivals at FilmFreeway is half seeming. Thus it is important to mark that via this service a lot of huge festivals accept their applications, such as Leeds International Film Festival, Raindance International Film Festival.
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USA
Festivals in the database: ~ 1500
Withoutabox is a pioneer in the sphere of online festival submissions. The company was founded in 2000 by two businessmen - David Straus and Joe Newlight. About 5000 festivals with both feature and short films are registered in the database along with 400 thousands filmmakers (most of them are fee-paying festivals from English-speaking countries). Any user can send an application to more than 1500 festivals. English interface.
The service is fee-paying for the festivals (paid registration and membership, comission 10 -18% and free for the filmmakers (free use of the platform but fee-paying submission to practically all festivals). Many festivals provide discounts system (to low the submission fee).
After creating an account the filmmaker starts getting the information about active festivals: notifications about start of submissions accepting, reminder about closing deadlines and so on ( You can refuse from this mailing, if you are not interested in it). Withoutabox is integrated with the service of digital distribution CreateSpace (Amazon sub-company) and in 2008 it was taken over by Amazon’s other sub IMDb. Merging with CreateSpace gives the filmmakers an opportunity to get some income from selling DVD’s via Amazon and downloading digital copies via VoD system (video on request), and integration with IMDb helps to create title pages for the films using Withoutabox information instantly. Many famous world festivals get submissions via Withoutabox, among them Sundance Film Festival, Seattle International Film Festival, Toronto International Film Festival and others.
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Germany
Festivals in the database: ~ 170
German online-service, 170 short film festivals, mostly European. You pay for sending film for the festival (first submission is free, every additional costs 2 euro; sending of the application and online-copy is included).
The project gives you convenient system for uploading, keeping and playing the video White Label VoD (video on request). With its help the festivals can show the films in stream regime from their site, save them into their online-libraries and so on. Uploaded file is saved at the website for 24 months, which is quite enough for screening at all chosen festivals. The company also managed its own system of creating and uploading the image of the DVD. The organizers can also download it. If having a desire the filmmaker can send DVD with the film by post.
Reelport has its own special catalogue for the buying agents where they can contact filmmakers and buy screening rights for any film.
Because of the relatively high price of the service, Reelport has a distinct list of the festivals, each one pass through pre-selection from on the part of the platform. Many important short films festivals accept applications via reelport, among them International Short Film Festival Oberhausen and Tampere Film Festival.
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France
Film festivals in the database: ~ 70
European site where there are more than 70 short films festivals. There are no American festivals among them, but there are festivals from the South America, Europe and Asia, that play important role in the world of cinema (for example, Clermont-Ferrand Short Film Festival and Sao Paulo International Short Film Festival). Each user can choose among five options of the interface: English, French, Spanish, Portuguese and Italian.
Festivals in the database are ordered according to deadline. Many of them do not have any fee so the filmmakers pay only for the application procedure (1,5 to 3 euros). For paying there is used only inside currency — «stamps». The cost of one stamp is negatively related to the stamps’ quantity.
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Spain
Festivals in the database: ~ 1200
The project of famous spanish distributor company Promofest. On the platform there are more than 500 short films festivals. Many european, spanish and Latin American festivals. You can choose two version of the interface: english and spanish.
Submission cost varies from 1 to 3 euros. If a film is chosen for the festival the service returns the sum you’ve paid.
The project suggests to upload your film on the server or give a link to the side resource, where the file is uploaded (Dropbox or Vimeo). Uploaded file is kept at the server up to 2 months (if the film is not submitted to any festival) and 1 month from the moment of the ending of the last festival, where he was applied.
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Spain
Festivals in the database: ~ 1800
Spanish company that was founded in 2010 by two expert filmmakers. Now this service represents more than 1800 festivals (both short and feature). Here one can find a lot of spanish projects, festivals from Latin American countries. Each application costs 2 euro. The information is presented in 7 languages: English, Spanish, Korean, Japanese, French, Italian and Portuguese. But festivals’ description usually are only English and Spanish.
Perhaps the most favourable for filmmakers is an opportunity to upload large files (up to 20 Gb) both for pre watching and festival screening. The film is kept at the server for 6 months since the last downloading. Recently the company offered a new service that helps to save money: you can give a link to Vimeo and not upload the file on the server. Though it requires a “visa” (annual pass) purchase that costs about 40 USD. A filmmaker can also send DVD with the film to the address of the company.
Besides Festhome offers some additional services: purchasing agents catalogue, converting files opportunities, film translation (3 euro per minute), making subtitles (4 euro per minute) and DCP (8 USD per minute for short films).
VOD service IndiehomeTV is also integrated with the platform, it helps to monetize films.
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Spain
Festivals in the database: ~ 500
Spanish company, founded in 2009. In the database is nowadays more than 400 festivals of feature and short films (mostly European). A lot of Spanish festivals. Any user can choose among 7 variants of interface: English, Spanish, Italian, French, German, Portuguese and Greek.
For submitting filmmaker should pay from 1,5 to 4 EUR. One application cost is in inverse proportion to their total amount.
On the server files of different formats can be uploaded (not more than 2 Gb) or add a link to Vimeo. There are convenient filters at the site by genres (comedies, horrors), types (narrative, animation, documentaries), themes (human rights, environment). Festivals can also be added to the lists (“interested”, “viewed”, “not interested”).
The hosts regard their project not only as a mediator between filmmakers and festivals but also as a distributor company and educational service for film schools. Aiming this the company has initiated two projects: Movibeta Distribución and Movibeta Formation. The first one let the filmmakers send their works to any film industry members (producers, agents and so on). The second one provides convenient communication space for students and film schools teachers.
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Spain
Festivals in the database: ~ 480
One more spanish company — mediator between filmmakers and festivals. More than 480 festivals in the database for both short and feature films (mostly European), large majority do not fix entering fees. There are many projects from Spanish language countries but practically no American ones. English and Spanish interface.
Application costs from 1,5 to 2,5 EUR (more festivals chosen less is the cost of one).
Festivals in the catalogue are marked green if the deadline is open at the moment, orange if the deadline is closing and red if it is closed. Two filters are optional to sort the festivals: by deadline and entry fees.
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Germany
Festivals in the database: ~ 1100, among them ~ 180 get submissions via the service
German company which seems to be a professional social network for by its structure for film industry workers: filmmakers, festivals, distributors and so on. The project provide information about festivals and opportunity to contact other filmmakers and festivals. Users can comment festivals and make lists and rankings of the most interesting projects. The service is especially useful for aspiring filmmakers who yet “are sinking” in the festival world: at the site they can find experienced colleagues, so they will share their experience of creating and managing projects. It is important to know English language because all communication is in English.
In the database there are a little more than 1100 festivals from all over the world. For every application filmmakers should pay 2,99 EUR (for short films), 4,49 EUR (middle-length) or 5,99 EUR (feature). Any can also buy subscription for unrestricted submissions, each month from 5 EUR.
There are special offers for short films, as an example:
Though films can be submitted not to every festival among 1100; the list of the festivals with open deadlines at the moment that have passed service qualification and now accepting submissions is published separately. There are lists of themed festivals for documentaries, animation, LGBT-films, horrors and etc.
The service is integrated with popular social networks (Twitter and Facebook), that helps to enter site without registration with the use of your account. The project also manages a blog with useful publications. User can create closed virtual filmrooms and invite other users from professional industry to them.
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France
Festivals in the database: ~ 100
The most specialized among all platform in this list. In the database there are more than 80 short films festivals, all of them based in France. One can choose among two versions of the interface: English and French.
If your film has no French subtitles, then there is no sense to apply to most festivals via this service. French jealously protect their language and country, that’s why practically all festivals in the base ask for French subtitles. Each submission costs about 1,5-2,5 EUR.
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Text: Lika Lashuk, Dmitriy Safin
Translation: Valeria Ougurtsova
Image: Georgia O'Keeffe — In The Patio VIII
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